Wednesday, January 20, 2010
A New Direction
"There's no point in being an artist if you have to subscribe to the actual moulds people would like you to inherit." -- Eduardo Paolozzi
"After an insight occurs, one must check it out to see if the connections genuinely make sense. The painter steps back from the canvas to see whether the composition works, the poet rereads the verse with a more critical eye, the scientist sits down to do the calculations or run the experiments. Most lovely insights never go any farther, because under the cold light of reason fatal flaws appear. But if everything checks out, the slow and often routine work of elaboration begins.
"There are four main conditions that are important during this stage of the process. First of all, the person must pay attention to the developing work, to notice when new ideas, new problems, and new insights arise out of the interaction with the medium. Keeping the mind open and flexible is an important aspect of the way creative persons carry on their work. Next, one must pay attention to one's goals and feelings, to know whether the work is indeed proceeding as intended. The third condition is to keep in touch with domain knowledge, to use the most effective techniques, the fullest information, and the best theories as one proceeds. And finally, especially in the later stages of the process, it is important to listen to colleagues in the field. By interacting with others involved with similar problems, it is possible to correct a line of solution that is going in the wrong direction, to refine and focus one's ideas, and to find the most convincing mode of presenting them, the one that has the best chance of being accepted."
-- Mihaly Csikszentmihalyi, Creativity (NY: HarperPerennial, 1997), pages 104-105.