Here is my list (the names are in no particular order - I can't imagine choosing the number one artistic influence!):
1) Rebecca Purdum - contemporary artist who I've been following since the 80s - ethereal abstraction (shows at Tilton Gallery, NYC)
2) Sam Scott - my professor at University of Arizona, initiated me into the true painter's life and practice; lyrical abstractions of nature
3) 12th Century Chinese Southern Song painters - poetry of nature and the seasons, veiling and unveiling of forms, contemplative technique
4) Georgia O'Keeffe - paint handling, morphology of forms (the major influence upon my early work)
5) Agnes Martin - repetition, natural order, poetry of painting, the grid
6) Mondrian - composition, subtle balances and rhythms within geometric structures
7) Jackson Pollock - the spontaneous gesture; the importance of psychology and the unconscious
8) Rothko - the luminosity of color
9) Bonnard - light and color, paint handling
10) Turner - abstraction of landscape, use of thick and thin paint, use of light and dark
11) Kandinsky - for the spiritual in art
12) Cezanne - the importance of the underlying structure of a painting
13) Monet - the way he perceived light and color, the broken brushstroke
14) Donald Judd - clean lines, no-nonsense Beauty, repetition, transcending the grid
15) Joan Mitchell - abstraction of nature, luscious use of paint, use of the white ground, importance of the single brushstroke
2 comments:
Your list has made me think. What I think is that it would take a week to list all my influences, but of course some of them are major and of course they overlap with yours: Martin, Rothko, Pollock, then, maybe Morris Louis, Brice Mardin, Lee Bonticue (partly because she was a young woman when I was, and offered a vision of success)Andy Goldsworthy, James Turrell.... my dad ....
Yes, Dara! Morris Louis, Brice Marden, James Turrell -- yes of course. And interesting - your work and Turrell's.
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