Lynette Haggard's Artist Interview Series

I was recently featured on Lynette Haggard's Art Blog. Please enjoy reading this interview with me about my work and inspiration. I talk a lot about what led me to becoming a painter, and share some of my working methods and some of the inner processes that motivate me toward creating my work.

Thank you so much, Lynette!

Winter Poems

Clockwise from upper left: Winter Poem I, Winter Poem II, Winter Poem III, Winter Poem IV

All oil on canvas, 12 x 12 inches, © 2011 Diane McGregor

Winter is returning to New Mexico. Very cold mornings, a little snow, the blacks, browns, and golds of the frozen plants and leaves. This quartet of paintings was composed as a poem to the winter season, the winter landscape.

Instead of the vertical orientation of the grid's rectangles, the new paintings I have been working on emphasize the horizontal -- in other words, the horizon line of the vast New Mexico landscape. The blues and whites echo the frozen earth and sky, with flecks of gold, black and brown reminding the viewer of the warmth that still lingers beneath the surface.

I will be shipping these paintings out soon for a group exhibition in December at Costello-Childs Contemporary in Scottsdale. The exhibition will feature smaller works by the gallery's artists. There will be an opening reception on Wednesday, December 7th, from 4 to 8pm.

Upcoming Chicago Exhibition

Terrain, oil on canvas, 32 x 32 inches, © 2011 Diane McGregor

My painting, Terrain, has been chosen for exhibition in "Bare Essentials: Minimalism in the 21st Century." The exhibition will be held at Woman Made Gallery in Chicago, opening November 4th and continuing through December 22nd. There will be an opening reception on November 4th from 6-9 pm. The curator is Ingrid Fassbender, of Fassbender Fine Art. Currently she is working on an additional "Minimal" exhibition which will include international artists.

From the exhibition brochure:

Minimalism is a specific movement identified with
the evolution of post-World War II art. The
movement pioneers – among them Frank Stella
and Carl Andre – felt that “art excludes the
unnecessary”. These artists – including others
such as Sol LeWitt, Dan Flavin, Agnes Martin and
others – were rooted in the reductive aesthetic
aspects of modernism. It was this reductive
element which these artists pursued in their
movement away from the prevalence of Abstract
Expressionism.

“Bare Essentials: Minimalism in the 21st Century”
is an exhibition that will explore how women artists
are influenced by these earlier ideologies, and how
they attempt to make them their own.

I am deeply honored to be included in this extraordinary exhibition!

Shimmering Air

Shimmering Air, oil on canvas, 18x18 inches, © 2011 Diane McGregor

The Hummingbird

It’s morning, and again I am that lucky person who is in it.
And again it is spring,
and there are the apple trees,
and the hummingbird in its branches.
On the green wheel of his wings
he hurries from blossom to blossom,
which is his work, that he might live.

He is a gatherer of the fine honey of promise,
and truly I go in envy
of the ruby fire at his throat,
and his accurate, quick tongue,
and his single-mindedness.

Meanwhile the knives of ambition are stirring
down there in the darkness behind my eyes,
and I should go inside now to my desk and my pages.
But still I stand under the trees, happy and desolate,
wanting for myself such a satisfying coat
and brilliant work.

- Mary Oliver -

The Origin of Fire

Escalante II, oil on panel, 10 x 10 inches, © 2011 Diane McGregor

Music is a big part of the creative process for me. I usually listen to the same piece of music over and over again while working on a particular painting or series. For these paintings, I chose to listen to "The Origin of Fire," a medieval chant by Hildegard von Bingen and performed exquisitely by the group Anonymous 4. The repetition -- not only from the structure of the chant, but also from the whole piece of music -- reminds me of the temporal structure of the grid itself; the repetitive process of creating each small rectangle while at the same time engaged with the whole image as a thoughtfully considered composition. The music surrounds me and inspires the contemplative atmosphere such work demands.

Escalante III, oil on panel, 10 x 10 inches, © 2011 Diane McGregor

The Escalante region of Canyonlands, Utah, is the inspiration for these paintings. It is my favorite place on earth. I love watching the sun rise and set over the mysterious red rock formations, and being so far away from any other living human, I drink in the silence and solitude. It is my heaven. My grid paintings are a distillation of the landscape into a living, breathing object of its own -- in this case, the red rocks, the silence, the fragile desert plants, the footsteps of mountain goats and chipmunks.... Sleeping in that wilderness brings my attention into utter harmony with the fact of life on earth and the mysteries that lie beyond the glittering stars.

Escalante IV, oil on panel, 10 x 10 inches, © 2011 Diane McGregor

"And I -- a human being neither afire
in my form with the strength of strong lions
nor familiar with their exhalations,
but constrained by the fragility of the weak rib
and flooded with mystical inspiration --
saw something like the most brilliant fire,
incomprehensible, inextinguishable,
all alive, and all filled with life,
having within itself a flame the color of air."

-- Hildegard von Bingen, Vision 1: The Fire of Creation,
from The Origin of Fire